Brad Cloepfil's "Case Work" Travels to the Portland Art Museum
Following its debut at the Denver Art Museum this January, the first comprehensive exhibition exploring the architectural sculptures and drawings of Allied Works Architecture will open at the Portland Museum June 4, on view through September 4, 2016. Presented within an immersive installation designed by Allied Works, the exhibition features a cross-section of over 60 works made over the past 15 years, the majority of which have never been presented publicly. A counterpoint to the customary building models and technical architectural renderings, these works are both singular artistic creations and manifestations of the investigative process that is at the heart of the firm’s practice. Case Work: Studies in Form, Space & Construction by Brad Cloepfil/Allied Works Architecture was organized by the Clyfford Still Museum and the Portland Art Museum in association with Allied Works.
“Case Work highlights a little-known part of Allied Works’ practice—namely the handmade works of art developed to articulate, inform, and accelerate the firm’s creative vision,” explained exhibition curator Dean Sobel, a specialist in modern and contemporary art and the director of the Clyfford Still Museum, which was designed by Allied Works. “These sculptures and gestural sketches are a pivotal part of the investigative process that distinguishes the firm’s approach. At the same time, these works are complete artworks in their own right, hidden gems that crystallize and convey core ideas or conceptual intentions.”
Established by Brad Cloepfil in 1994, Allied Works Architecture has been widely recognized for crafting powerful spaces for art and interaction, and for developing architectural designs that are forged by the defining elements of their mission and site. Case Work marks the first time that the public will be able to view the artistic explorations of material, form, and spatial experience that have guided the firm’s architectural designs, including both realized buildings as well as projects that have yet to take shape.
The exhibition presents 15 of the firm’s bold and tactile architectural sculptures, made from wood, porcelain, resin, concrete, and collaged textiles, alongside material and structural studies. More than 30 two-dimensional works, ranging from gestural sketches to large-scale charcoal and pastel compositions, will also be on view. The works are integrated within a bespoke presentation system—a linear steel armature designed by Allied Works as a conceptual model, enlarged to life size, that can be adapted and reconfigured at each venue. Visitors will move through the installation to encounter a series of unique, custom-built “cases,” designed to reflect the specific qualities inherent in the works they enclose and present. Each case serves a dual function of transporting the objects from venue to venue, enabling a literal “unpacking” of ideas within the exhibition space.
Highlighted works include:
- A single reclaimed beam of Douglas fir carved to reveal a geometric form within a field of spikes, representing the desire for a singular, unified experience across structure, landscape, and earth in the building that would become the Clyfford Still Museum in Denver.
- A smooth concrete object of geometric forms cast around salvaged pieces of different brass musical instruments. The form speaks to the sheer variety of musical expression while simultaneously referencing modernist sculpture, and was created as part of the conceptual design phase for the National Music Centre of Canada.
- A quilt-like collage of wooden bits, porcelain, and sawed colored pencil, inspired by aerial views of the Wisconsin farmland and created for the firm’s Wisconsin Art Preserve proposal.
- An assemblage of acrylic, cast resin, polished brass, and charred pine created during the conceptual design phase for the Dutchess County Estate Main House in New York State. The work evokes a transparent form that extends into a landscape, only to be forced to turn back in on itself, held within the earth’s black embrace.
- An interlocking brass structure imbued with movement, snaking across the landscape and binding the form to its site was created during the preliminary process of the Musée national des beaux-arts du Québec design competition.
“Since first launching Allied Works in Portland in 1994, Brad has been celebrated for creating timeless and beautifully executed works of architecture,” said Brian Ferriso, The Marilyn H. and Dr. Robert B. Pamplin, Jr. Director of the Portland Art Museum, which co-organized the exhibition with the Clyfford Still Museum. “This exhibition provides audiences with an unusual opportunity to explore the conceptual sculptures and gestural sketches that underpin Brad’s creative practice and that embody the firm’s unique approach and standing within the field.”