Megan Ardery manages and supports a range of communications campaigns for arts organizations across the country, with a particular emphasis on expansion and new building projects.
Since joining Resnicow and Associates in August 2013, Megan has worked with visual arts institutions and universities, including the Nelson-Atkins Museum of Art, the Baltimore Museum of Art, the Center for Italian Modern Art, the Corning Museum of Glass, the Norton Museum of Art, Stanford University, and Virginia Commonwealth University’s Institute for Contemporary Art designed by Steven Holl, opening in 2018, as well as architecture firms including Allied Works Architecture and Safdie Architects.
Major recent projects have included communications campaigns for the U.S. Pavilion at the 57th (2017) and 56th (2015) International Art Exhibition, La Biennale di Venezia, co-commissioned by the Baltimore Museum of Art and the Rose Art Museum featuring the work of Mark Bradford in 2017, and by the MIT List Visual Arts Center featuring the work of Joan Jonas in 2015; the opening of Studio Bell, home of the National Music Centre designed by Allied Works; the opening of Stanford University’s McMurtry Building for the Department of Art & Art History by Diller Scofidio + Renfro; the opening the Corning Museum of Glass’s new Contemporary Art + Design Wing designed by Thomas Phifer; the launch of the new Norton Museum of Art’s capital campaign for the expanded museum designed by Foster + Partners; and the opening of the Anderson Collection at Stanford University by Ennead Architects.
Prior to joining R+A, Megan worked in the communications and public relations departments of the Pace Gallery, the Corcoran Gallery of Art, and the Whitney Museum of American Art.
She graduated magna cum laude from George Washington University, where she majored in art history and minored in English.