The CAC, moCa Cleveland and Kemper Co-Organize the First Major Multi-Museum Survey Dedicated to Contemporary Artists Working Throughout the Midwest
Featuring New and Recent Work by Artists Working Across Disciplines, The Regional Explores the Cultural Complexities of America’s Heartland – Exhibition Premieres at moCa in July 2021, Then Travels to the CAC and Kemper Museum of Contemporary Art
The Museum of Contemporary Art Cleveland (moCa), the Contemporary Arts Center (CAC) in Cincinnati, and Kemper Museum of Contemporary Art (Kemper Museum) in Kansas City, MO are co-organizing a major exhibition dedicated to artists living and working throughout Midwestern America. The Regional is the first major multi-museum survey dedicated to contemporary artists based in the Midwest and will feature new and recent work, including several site-responsive commissions, by more than 20 artists working across painting, photography, installation, and performance. Showcasing artists that represent a wide variety of backgrounds, concerns, and approaches—including Conrad Egyir, Matthew Angelo Harrison, Gisela McDaniel, B. Ingrid Olson, Devan Shimoyama, Alice Tippit, and Jordan Weber—The Regional celebrates the artistic and cultural complexity of the Midwest, offering audiences a more comprehensive understanding of this moment in America’s heartland.
The Regional is co-curated by Amara Antilla, Senior Curator at the CAC; Courtenay Finn, Chief Curator at moCa; and Jade Powers, Assistant Curator at Kemper Museum. The exhibition premieres at moCa from July 8 through November 7, 2021 before traveling to the CAC December 10, 2021 through May 1, 2022 and then to Kemper Museum from June 2, 2022 through September 11, 2022. A parallel program of conversations and performances is being organized at each venue.
“The Regional is a testament to the range of creative practices and rich cultural heritage alive in the Midwest and is an important opportunity to support and celebrate local artists," commented Amara Antilla, Senior Curator at the CAC. "The exhibition offers audiences a long glance into the heart of America, which is as complex, varied, and evolving as the artists and works on view in this show. At a time when the concerns of the middle of the country are ever more visible and urgent, this exhibition is a chance to spark dialogue and connection, providing audiences a deeper understanding of the historical foundation and contemporary concerns that ultimately unite us."
“Covering a full range of practices, the artists in The Regional foreground the Midwest as a location of conflict and possibility. With vitality, energy, and exciting promise, the artists explore our current moment in time, one marked by dramatic change and a demand for new narratives, voices, and actions. Centering largely on the generative nature of the artist’s studio, the exhibition offers a constellation of themes that weave together to reveal new artistic directions for our shared future,” says Courtenay Finn, Chief Curator at moCa Cleveland.
“The intersections that emerge between artists working all across the Midwest in this exhibition are truly exciting,” said Jade Powers, Assistant Curator at Kemper Museum. “Working with artists based in the region and understanding the cultural landscape of America’s heartland brings ideas of self, community, and purpose to the forefront. It has been energizing to see how the artists respond to these themes in their practices. I look forward to the unique experiences of the work that each venue will present and the dialogue that they will surely inspire related to both shared and individual experiences within the Midwest.”
Loosely defined as the area that stretches from the Dakotas in the west along the Great Lakes to Michigan and Ohio in the east and from the north in Minnesota adjacent to the Mississippi River through Illinois, Iowa and Missouri, the Midwest is a construct bounded by geography as well as shared social and cultural legacies. Partially encompassing the “Rust Belt,” a site of 20th century industrial growth marked by subsequent declines and more recent resurgences, the Midwest is linked by histories that include the early abolition of slavery and the underground railroad network, as well as immigration, namely by Germans, Irish, and Scandinavians in the mid-19th century, and more recently by asylum seekers from countries as varied as Vietnam, Iraq, and Somalia.
Reflecting and responding to this range of social and historical contexts, The Regional scans the diverse cultural landscape of the region and provides a snapshot of the creative ecology blooming within it. The exhibition brings together new and recent work by artists from a variety of backgrounds who are currently based in Detroit, Cincinnati, Chicago, Cleveland, Columbus, Indianapolis, Kansas City, Madison, Minneapolis, and St. Louis, among other locales throughout the Midwest. The Regional celebrates the range of cultural origins and creative approaches in the middle section of America by uniting artists working across creative disciplines to explore some of the most pressing issues of our time.
As an initiative dedicated to showcasing and engaging with local cultural communities, The Regional will evolve as it tours to each location by inviting additional local artists to participate in related programming and installations at each venue. The exhibition will also be accompanied by a digital catalogue highlighting featured works and exploring a range of historic and contemporary themes informing the show. Together, the exhibition, publication, and related programs will invite audiences to participate in a dynamic discourse about the past and future of the Midwest and the artists working within it.
Graphic design for the exhibition and catalogue will be led by Columbus, Ohio–based artist and designer Ryland Wharton, who has designed publications, website, and software for a variety of institutions and individuals in the cultural sector, including The Columbus Museum of Art, moCa Cleveland, The Knowlton School of Architecture, and artist Daniel Gordon.
Participating artists include:
·Hellen Ascoli (b. 1984, Guatemala City, Guatemala; lives and works in Madison, WI)
·Lyndon Barrois Jr. (b. 1983, New Orleans, LA; lives and works in Pittsburgh, PA)
·Jonathan Christensen Caballero (b. 1988, Salt Lake City, UT; lives and works in Lawrence, KS)
·Rachel Cox (b. 1984, Irving, TX; lives and works in Iowa City, IA)
·Mara Duvra (b. 1989, Silver Spring, MD; lives and works in Minneapolis, MN)
·Conrad Egyir (b.1989, Accra, Ghana; lives and works in Detroit, MI)
·Isa Gagarin (b. 1986, Guam; lives and works in Minneapolis, MN)
·Rashawn Griffin (b. 1980, Los Angeles; lives and works in Kansas City, MO).
·Dan Gunn (b. 1980, Prairie Village, KS; lives and works in Chicago, IL)
·Matthew Angelo Harrison (b.1989, Detroit, MI; lives and works in Detroit, MI)
·Pao Houa Her (b. 1982, Laos; lives and works in Blaine, MN)
·Anissa Lewis (b. 1974, Covington, KY; lives and works in Cincinnati, OH)
·Dakota Mace (Diné) (b. 1991, Albuquerque, NM; lives and works in Madison, WI)
·Gisela McDaniel (b. 1995, Guam; lives and works in Detroit, MI)
·Lorena Molina (b. 1985, San Salvador, El Salvador; lives and works in Cincinnati, OH)
·Huong Ngo (b. 1979, Hong Kong; lives and works in Chicago, IL)
·B. Ingrid Olson (b. 1987, Denver, CO; lives and works in Chicago, IL)
·Yvonne Osei (b. 1990, Hamburg, Germany; lives and works in St. Louis, MO)
·Natalie Petrosky (b. 1989, Akron, OH; lives and works in Cleveland, OH)
·Devan Shimoyama (b. 1989, Philadelphia, PA; lives and works in Pittsburgh, PA)
·Alice Tippit (b. 1975, Independence, KS; lives and works in Chicago, IL)
·Jordan Weber (b. 1984, Des Moines, IA; lives and works in Des Moines, IA)
·Margo Wolowiec (b. 1985, Detroit, MI; lives and works in Detroit, MI)
·Nikki Woods (b. 1990, Rock Hill, MO; lives and works in Cleveland, OH)
·Museum of Contemporary Art, Cleveland (July 8 – November 7, 2021)
·Contemporary Arts Center, Cincinnati (December 10, 2021 – May 1, 2022)
·Kemper Museum of Contemporary Art, Kansas City (June 2 – September 11, 2022)
Additional details, including on-site and virtual programming will be announced by the exhibition venues at a later date.
In conjunction with the exhibition, moCa, the CAC, and Kemper Museum are developing a robust digital catalogue, which will be made available as a free downloadable PDF on each of the institutions’ websites. The catalogue will revisit older histories of the region while also inviting speculation about its future, highlighting certain works in the exhibition, and engaging a range of subjects including gentrification, propaganda, Jazz, joy, failure, and freedom. The catalogue will include new essays by the exhibition’s curators as well as contributions from scholars, artists, and thought leaders.
About the Curators
Amara Antilla is Senior Curator at the Contemporary Arts Center (CAC) in Cincinnati, where she is responsible for shaping the CAC’s robust exhibitions and new commissions program. Previously, Antilla worked at the Guggenheim Museum in New York, where she contributed to various monographic exhibitions including V.S. Gaitonde: Painting as Process, Painting as Life (2014), Monir Farmanfarmaian: Infinite Possibility, Mirror Works and Drawings, 1974–2014 (2015), and Simone Leigh: Loophole of Retreat (2019). Antilla was also involved with the acquisition, research, and exhibition program of the MAP Global Art Initiative (2012-2018). Independently, Antilla has served as curatorial advisor for the Dhaka Art Summit (Bangladesh), where she co-curated Rewind (2016), and subsequently co-organized Displays of Internationalism (2018), and MAHASSA (Modern Art Histories across Africa, South and Southeast Asia, 2020)--a symposium and seminar series respectively that examined the development of transnational 20th century modernisms. Antilla studied art history at Tufts University, the Museum School, and Hunter College, City University of New York (CUNY).
Courtenay Finn is Chief Curator at the Museum of Contemporary Art Cleveland (moCa). She was previously curator of the Aspen Art Museum (AAM) where she organized thematic exhibitions such as Lost Without Your Rhythm (2018–2019), Gravity & Grace (2017), and The Revolution Will Not Be Gray (2016); as well as solo exhibitions of Yto Barrada, Haris Epaminonda, Margaret Kilgallen, Mickalene Thomas, Anna Sew Hoy, and Alice Channer. From 2011 to 2014, she was the curator at Art in General where she commissioned new work by Lisa Oppenheim and Lisa Tan, Letha Wilson, robbinschilds, Katrin Sigurdardottir, and curated Art in General's first International New Commission with Lebanese artist Mounira Al Solh. In 2013 she was the co-curator of North by Northeast, the Latvian Pavilion for the 55th edition of the Venice Biennale. She has a BFA in Fiber & Material Studios from The Cleveland Institute of Art and a MA in Curatorial Practice from the California College of the Arts (CCA).
Jade Powers is Assistant Curator at Kemper Museum of Contemporary Art in Kansas City, Missouri where she organizes exhibitions including Dyani White Hawk: Speaking to Relatives (2021), Dawoud Bey: Selections from Night Coming Tenderly, Black¬¬ (2020), Joiri Minaya: Divergences (2020), Child’s Play: An Exploration of Adolescence (2019), Color Application (2019), Abstracted Wonders: The Power of Lines (2018), and Deconstructing Marcus Jansen (2018). Before joining Kemper Museum, Powers was the 2017–2018 Romare Bearden Graduate Museum Fellow at Saint Louis Art Museum. There, Powers created the first museum-wide gallery guide to comprehensively highlight works by artists of African descent. Powers has also been a Visiting Critic at Kansas City Art Institute, University of Kansas, and Washington University St. Louis as well as a juror for several artist awards. Powers is currently the visiting lecturer for the MFA graduate seminar in the Department of Visual Art for the 2020–2021 Academic Year at the University of Kansas. She studied art history, religious studies, and post-colonial theory at DePauw University and Indiana University-Bloomington.